Pause mid-recording
Stop to collect your thoughts, take a call, open the thing you forgot — then pick up where you left off. One recording, no seam.
Create stunning demos in one take.
Pause when you fumble, pick up where you left off, and stop to find the editor already open with the zooms in place. No cursor packs, no 3D frames, no captions to switch off.
Recording
Get the recording without getting it right first time.
A display, a single window, or an area you draw — with your camera and your microphone each recorded separately, so none of it is decided before you start.
Keep recording
Add another recording straight into the project you are editing. A new section or a second pass at one step — it lands on the same timeline with the same look.
Camera, recorded separately
The camera is recorded separately and composited afterwards, so nothing about it is decided while you record. Show or hide it per clip, move it, resize it, reshape it, or fill the frame with it.
Hides your desktop icons
Keeps a desktop full of your filenames out of the video by leaving the icons out of the recording, not by moving them. Nothing on your screen changes.
Voice and system sound, kept apart
Your microphone and the Mac’s own sound are recorded separately, so a deafening alert and a quiet voice are two problems you fix separately.
The editor opens the second you stop
No import step, no render wait, no second app. Stop recording and you are already editing.
Editing
Four lanes, and nothing you have to learn.
Clips, audio, zoom, blur. Every extra lane is one more thing to scan past on the way to the edit you came for.
It zooms itself, from where you clicked.
Every click you make while recording is grouped and turned into a zoom that lands before the moment it matters, with motion blur while it moves. Every zoom is yours to drag, retime or delete.
Every clip gets its own look
Background, padding, corners and shadow belong to the clip, because a full-screen shot and a window shot want different backdrops. Fifty-two are built in.
Save a look and reuse it
On the canvas, the camera or a slide, across every project. Star one and every new clip starts with it.
Blur that follows the content
Cover an email address or a customer name and it stays covered as the shot zooms and moves. Drag it on the picture, not into a box of numbers.
A pointer you can size
The pointer is drawn by the editor, not baked into the pixels. Make it bigger so it is easy to follow, smooth its path, and it stays the same size as the shot zooms in.
It fixes your audio
Cut the dead air automatically, take the room noise out of the microphone, even the levels, and duck the system sound under your voice.
Title cards, without leaving
Drop a slide anywhere on the timeline, set in one of six typefaces, with the same backdrops as the recordings.
The app
Native Mac. Not a web app in a wrapper.
Built with Apple’s own frameworks for macOS 26 and Apple silicon, which is why it starts quickly, records without heating your Mac, and behaves like everything else on it.
Nothing leaves your Mac
Your recordings are files in a folder you can browse, move and back up. No account, no cloud, no telemetry — the only thing the app talks to is the App Store.
Export on your terms
MP4, MOV or GIF — up to 4K at 60 fps, with the file size estimated before you commit. Or copy the finished video straight to the clipboard and paste it into a message.
All of it free, except the export.
Record and edit as much as you like, with no watermark and no time limit. You pay when the video leaves the app.
See pricing